Four modes are offered in multiplayer, including: Raid, a capture the flag mode where the police are on offense and the criminals are on defense Robbery, where the crooks are on offense Tag, which has two teams must mark and maintain their territory and War, pitting two teams against each other in a deathmatch. The game's multiplayer is actually fairly decent, but is still plagued by the same issues the single player mode has in the control, visual and audio departments. If you pride yourself on being an elite gamer, it doesn't matter - this is the definition of shoddy run and gun action. This game requires very little to no skill period. Most of the missions consist of you guiding your character to a given spot and killing everything in your way. The only challenge in the game is actually trying to get the reticule where it actually needed to be. The end result is difficult control in both close quarter and ranged combat. Regardless of the pressure applied to the controller, wild and erratic aiming is what players are stuck with. 25 to Life doesn't offer any of that tried and true control that has become more or less standardized. Most games, the analog stick actually makes use of its analog capabilities - a hard push on the stick allows for a quick turn while softer actions gain more exact results. When aiming your crosshairs at your target, things become rather absurd as the controls allow no precision at all. There's nothing special there, but when it's time to actually engage some foes in a gunfight, the flaws in the controls are blaring. Assigned to the face buttons are buttons for jumping, reloading and your all-purpose action button. The right and left shoulder buttons are respectively for shooting your guns and lobbing grenades. The game controls like a first-person shooter from a third person perspective: the right stick aims while the left stick moves your character around. Published by Universal Polygram International Publishing Inc.The actual gameplay is probably the worst part of the game, plagued with loose, sloppy controls that do provide an unexpected challenge, but it's probably unintentional.under license from EMI Film & Television Music Courtesy of Virgin Records America Inc.Album Title: It Takes a Nation of Millions to Hold Us Back.o/b/o Ramecca Publishing ALL RIGHTS RESERVED. and Jaewon's Publishing /Careers-BMG Music Publishing Inc. Courtesy of The Island Def Jam Music Group under license from Universal Music Enterprises.Performed by Ghostface Killah featuring Jadakiss.Tego Calderón (Performed by/Produced by).Cold Chillin' Music Publishing and Songs of Marl Ryde or Die Publishing /EMI April Music Inc.Published by Universal Music Publishing Group o/b/o Boomer X Publishing Inc.Courtesy of Ruff Ryders/The Island Def Jam Music Group under license from Universal Music Enterprises. Published by Voco Music d/b/a Alexra Music o/b/o itself and Hennessey for Everyone Music /My Own Way.By arrangement with Sony BMG Music Licensing. Fidel Vicioso (as Riggs/Manuel Saragosa). Daniel Whitner (as Detective Lester Williams).Rashaad Ernesto Green (as Andre "Freeze Francis).Amanda Montes de Oca (for Sample Clearance Ltd.).
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